Time to Right Some Wrongs…Who Should Be in the 2024 Nomination Class for the Rock & Roll Hall of Fame?

It is hard to believe that we’ve already come around again to having to put together a nominee list for the Rock & Roll Hall of Fame. Just over two months ago, the Induction Class of 2023 was ushered into the venerable halls in Cleveland, with the accolades for Sheryl Crow, Willie Nelson, Chaka Khan, and others, still ringing from the rafters of the Barclays Center in New York. Time, however, moves forward, and it has come around again to consider the potential nominees for the 2024 class of the Rock Hall.

What does it take to get into the Rock & Roll Hall of Fame? The ONLY qualification is that your initial recording must have a minimum of twenty-five (25) years before the current year. There is no rule regarding what style of music you play, no hard-set guidelines as far as sales, just the fact that you had an impact on the development and history of rock and roll. Note that I say “rock and roll” there; the problem that way too many people have is they think the building on the shores of Lake Erie is there JUST for “rock” music. It isn’t…and the sooner that people look at the history of the Hall (and the people who have been inducted), they will realize this.

But let’s get beyond this. As it is 2024, those who did their first recording in 1999 are now what is called “first-year eligible” for induction into the Hall. The problem is…there are not that many that are newly eligible that would be worth a “FYE” induction. Thus, it is time that the Rock Hall and the Nomination Committee take care of business and right some wrongs that have gone on in the past. Let’s look at what we might be seeing next month when the 2024 Nomination Class is announced.

First-Year Eligibles and Last Year’s Leftovers

In looking at the pool of candidates for 2024, I have to be honest…it’s an underwhelming list. When your power hitters are 50 Cent, Brad Paisley, Buckcherry, Jennifer Lopez, and John Mayer (among others), there’s not a lot to hang your hat on here. Even one of my longtime favorites, Halestorm, does not save this lot from a general “meh” comment. I do not believe that there has ever been a year that DIDN’T have an FYE nominee on the list…this one could very well do it.

So, what about last year’s choices? The 2023 Nomination Class was arguably one of the most diverse, both musically and otherwise, of any group in Rock Hall history. ANY of the fourteen choices available would have had a legitimate reason for induction. That’s why I believe that at least four of those that were overlooked last year will be back on the ballot again.

The outrage from fans of Warren Zevon regarding his longtime snub as a nominee and, last year, as an inductee, is something that the Rock Hall has to correct. Anyone who related to the SoCal music scene of the Seventies, from Jackson Browne to Fleetwood Mac to Linda Ronstadt to The Eagles, has bowed before Zevon and his notable songwriting and lyrical prowess. To continue to keep Zevon out of the Hall is unforgivable.

There was a similar outrage from backers of Joy Division/New Order regarding their non-induction in 2023. For everyone who calls themselves fans of The Cure, Depeche Mode, and other synth rock acts from the Eighties, they all owe a mascara-smeared nod to Joy Division/New Order, who were the forebearers of the goth sound (you could also toss The Damned in here, but I digress). You would not have much of that dark, moody sound that has permeated many other areas of music without Joy Division/New Order.

Finally, it is time that the Rock Hall gets over their bias – some would call it a hatred – of hard rock and heavy metal. Last year’s Nomination Class had two legends of the genre in Soundgarden, who were “grunge” before the term existed, and Iron Maiden (despite their dismissiveness of such honors like the Hall). BOTH of these bands not only deserve another nomination, but they also deserve induction.

Recent Nominees…A Second Chance

Over the past few years, there have also been those who got their nomination, failed to be inducted, and…drifted away like they didn’t matter. The problem is that all these artists had a sizeable impact on the world of rock and roll; it’s just that it is in a more nuanced and low-key manner. It is time these artists/bands got their second bite at the apple, and maybe this time they’ll get the call.

Artists like Fiona Apple and Beck have been overlooked because of their idiosyncrasies and the difficulties in appreciating their creations (Tori Amos falls in this same category). It is their experimentation with rock and roll that has pushed it forward into the 21st century, for such bands as Arctic Monkeys and Portugal. The Man to become successful. With Kate Bush taking her rightful seat in the Hall, both Apple and Beck should get another look.

Likewise, there are a handful of bands that deserve kudos for their efforts. How the Hall has overlooked such influential bands as Oasis, Daft Punk, and Sleater-Kinney for induction for so long is a bit mind-boggling, to be honest, because each of the bands has left their DNA on rock and roll. Oasis made Brit Pop memorable again in the Nineties, becoming the biggest thing to come from England since arguably the Beatles; Daft Punk delivered for the electronic/dance music generation (and don’t say that Daft Punk aren’t the forefathers of the EDM movement), while Sleater-Kinney carried on the riot grrrl spirit of the early Nineties (and were the rightful heirs to The Runaways, who also deserve an induction).

Pop? Rap? Country? The Eighties? The Seventies?

The “rock” enthusiasts always scream about it, but pop music and rap/hip-hop are genres that have imprinted themselves on the fabric of rock and roll. Thus, the best that these musical stylings have must be remembered. For pop, you have Destiny’s Child (and you don’t think that the Rock Hall would not salivate over a Beyonce-led reunion on Induction Night?) and Mary J. Blige. But it is Mariah Carey that most would consider the most likely nominee to be inducted into the Rock Hall.

The litany of rap artists and acts that should be considered is led by Snoop Dogg. The Doggfather continues to have an impact on culture and the music world – NBC just tapped the man to be a part of the coverage of the 2024 Olympics…what else is needed beyond that and his ample skills on the mic? Toss into the mix Dr. Dre (could put him and Snoop in together, if you want), Queen Latifah (think she was more deserving of entry than Missy Elliott), Nas, Arrested Development (covers Lauryn Hill, too), Outkast, Wu-Tang Clan, or P. Diddy, and we’ve barely scratched the surface of the rap/hip-hop hierarchy.

The screeching from the “rock” set was loud with Dolly Parton in 2022 and got even louder with Willie Nelson in 2023. The basic fact is that, without country music, you DO NOT HAVE ROCK AND ROLL. Thus, let’s get those legends from country music – Patsy Cline, Loretta Lynn, Tammy Wynette, George Jones, Garth Brooks – and give them their kudos (Cline especially – a whole host of women in the industry owe her a monster debt of gratitude).

If you want to break it down by decades, the Eighties gave us INXS, The Pixies, the late Sinead O’Connor, and many others (including such “second induction” nominee choices like Don Henley, Sting, and Phil Collins). The Seventies? They haven’t been totally picked clean, as bands like Motorhead, Thin Lizzy, DEVO, Television, MC5, and New York Dolls are all still out there. The Sixties? Well…let’s let that one alone.

So, now that we have broken it down…who do I think will be there? How’s this for a list?

Warren Zevon
Joy Division/New Order
Soundgarden
Iron Maiden
Fiona Apple
Beck
Oasis
Sleater-Kinney
Daft Punk
Snoop Dogg/Dr. Dre
Mariah Carey
Destiny’s Child
Patsy Cline
Garth Brooks
Thin Lizzy
DEVO
Don Henley
Sting

That’s a pretty strong Nomination Class if you ask me!

Toss in such notables as “Big Mama” Thornton and John Coltrane for Influencers (and, what the hell…let’s give Frank Sinatra and Neil Sedaka a nod too), “Wolfman” Jack, “Mutt” Lange, and Rick Rubin for the Ahmet Ertegun Award, and “Weird” Al Yankovic and Paul Rodgers for Musical Excellence, and I think you’d have a damn good Class of 2024 set up. Alas, we will see what the Nomination Committee produces at the start of February, and then we can debate who should be the next inductees into the Rock & Roll Hall of Fame.

First Impressions of the Class of 2023 for the Rock & Roll Hall of Fame

This morning, the Rock & Roll Hall of Fame announced the Class of 2023, and it was done rather quietly. The reason I say this is that the induction announcement is usually a big deal on SiriusXM, with a show that interviews the new inductees and generally celebrates the world of rock and roll. This year? Nothing…I was a bit surprised about that.

These are my general, hot of the press takes on the 2023 class. I’ll have some thoughts about some other issues (including John Sykes’ apparent preoccupation with “what the fans think”) at a later date.

1) Overall, a decent class that has taken care of a couple of oversights from the past. In the Performers category, the inductions of Bush and Rage Against the Machine were long overdue and the Voting Committee finally corrected this error (some would also add The Spinners into this category). If there was a guaranteed inductee for the 2023 class (like last year’s Dolly Parton induction), Willie Nelson was going to be going in.

For both Missy Elliott and George Michael to go in with the same class was a bit of a surprise. I figured that one would go in before the other would (and I thought that would be Elliott over Michael), but they both made it through the battle. Sheryl Crow has done it all in her stellar career and the Hall enjoys honoring those who have always been there for them, thus her induction isn’t a surprise.

2) Those who were spurned from the Performers category are…well, let’s just say that the carryover of the “populist” theme from last year is evident. Critical favorites like Joy Division/New Order, Warren Zevon, Soundgarden, The White Stripes, A Tribe Called Quest, and Cyndi Lauper (we’ll get to the other in a minute) were not inducted and they didn’t get a nod from the “non-voting” paths. This isn’t a case of “not enough support” – Zevon and Lauper (along with #3) were WAY up in the Fan Vote and it was believed this would be the year, especially in first-time nominee Zevon’s case. Alas, it was not to be.

3) Not that they were sitting around waiting for the phone to ring, but Iron Maiden is probably never being inducted into the Hall. I’ve heard the explanations regarding the bypassing of hard rock/metal bands, and Iron Maiden in particular, but they’re beginning to ring hollow. How you can have one act but not another – in this case Judas Priest (who FINALLY got in through the “non-voting” method last year) and Iron Maiden – is befuddling. If I am finding it hard to believe, then you can only imagine how the Average Joe is seeing it.

4) The Award for Musical Excellence is OUTSTANDING. They also took care of a few oversights here by inducting both Chaka Khan (but not Rufus, surprisingly) and Bernie Taupin (writing partner of Elton John), who needed to be in the Hall. The inclusion of Al Kooper was a bit of a surprise since there hadn’t been a huge drive for his induction, but it is a welcome addition; Kooper’s legacy of work and influence are worthy of induction.

5) Equally as excellent as the AME were the choices for the Early Influences and the Ahmet Ertegun Award. DJ Kool Herc was the originator of rap, way back in the early Seventies, but it is a bit odd to see him go in and not alongside his longtime performing partner Coke La Rock. Link Wray is another one of those “oversight” corrections that the Hall takes care of through this manner, but it is also a well-deserved induction (and, we must note, if you’re going to have Duane Eddy in the Hall, then why not Wray?).

While I would have liked to have seen the Ertegun go to Rick Rubin, the choice of the creator of Soul Train, Don Cornelius, is a BRILLIANT move. Many people point to American Bandstand and its influence on the culture. Soul Train was just as big, if not more influential, in its impact on R&B, soul, rap, and culture overall. It’s too bad that Cornelius is no longer with us – I am sure that he would have delivered a FIRE induction speech!

Overall, the Class of 2023 for the Rock & Roll Hall of Fame isn’t bad, but it’s not as great as it could have been. There are a few trends now, three years into the reign of Hall chairman John Sykes, that can be identified, but we’ll save that discussion for another time. For now, we can enjoy and congratulate those that were inducted and commiserate with those that were not.

Picking the Winners at the 2022 Grammy Awards

It is that time of year again, one that brings with it its usual grousing and celebrations. Awards season is underway with the Oscars this last Sunday (did something happen that was noteworthy?), and it will continue with the Grammy Awards this week. The crème of the music world will arrive in Las Vegas (it was supposed to be held in Los Angeles back in February, but COVID guidelines at that time forced its move) on Sunday night, looking to celebrate the best in their industry (and hopefully not smacking the shit out of each other).

I always look forward to the Grammys, so I do not want to hear a lot of bitching about “rich, successful people patting each other on the back.” OF COURSE, it is rich, successful people patting each other on the back. These people work incredibly hard on their craft, not to mention the songwriters, producers, engineers, and other industry people who put together these musical creations for our entertainment. Why else do you think they give out MVP awards in professional sports? It is their way of honoring the best – and that is what the Grammys do.

Because my knowledge of the industry is in the rock field, I am going to concentrate on those categories first. At the end, I am going to offer my prediction for the four major awards – Album of the Year, Song of the Year, Record of the Year and Best New Artist. SPOILER ALERT!! It is going to be the same person, because…

Wait, I am getting ahead of myself. Here are my predictions for the major rock and metal awards for the Grammys 2022.

Best Rock Performance

“Shot in the Dark,” AC/DC
“Know You Better (Live from Capitol Studio A),” Black Pumas
“Nothing Compares 2 U,” Chris Cornell
“Ohms,” Deftones
“Making a Fire,” Foo Fighters

SHOULD WIN: “Ohms,” Deftones
WILL WIN: “Shot in the Dark,” AC/DC

With the passing of drummer Taylor Hawkins of Foo Fighters VERY recently, there is going to be a strong call for the group to be feted in some manner. Likewise, the posthumous release of cover songs by Cornell, the former singer for Soundgarden and Audioslave who committed suicide in 2017, is sure to draw some support. “Ohms,” however, was a magnum opus from Deftones and it should win…but it won’t.

That honor is going to go to AC/DC, who has been around now for 50 years and have only once taken home the trophy (for a rather subpar “War Machine” in 2009 for Best Hard Rock Performance). “Shot in the Dark” was an outstanding comeback for the group and it gives the voters in the Recording Academy an opportunity to say “Hey, we’re hip with the hard rock!” I’ll leave out my healthy does of sarcasm on this one!

Best Rock Song

“All My Favorite Songs,” Rivers Cuomo, Ashley Gorley, Ben Johnson and Ilsey Juber, songwriters (Weezer)
“The Bandit,” Caleb Followill, Jared Followill, Matthew Followill and Nathan Followill, songwriters (Kings of Leon)
“Distance,” Wolfgang Van Halen, songwriter (Mammoth WVH)
“Find My Way,” Paul McCartney, songwriter (Paul McCartney)
“Waiting on a War,” Dave Grohl, Taylor Hawkins, Rami Jaffee, Nate Mendel, Chris Shiflett and Pat Smear, songwriters (Foo Fighters)

SHOULD WIN: “Distance”
WILL WIN: “Find My Way”

“Waiting on a War” wasn’t even the best song on Foo Fighters’ “Medicine at Midnight,” so we cannot consider it here. Weezer and Kings of Leon are not going to get the award. It should go to Wolfgang Van Halen for the outstanding ode to his father, the late guitar wizard Eddie Van Halen, from Mammoth WVH’s debut record. It was a masterful piece of work that should be recognized (even though I think “Don’t Back Down” was a better song).

The rule with the Recording Academy is “if you can honor a Beatle, you do it.” And that’s why McCartney will win this award. It was not because it was a great song, it was not because “McCartney III” was a great album. It is simply because McCartney is, well, McCartney. I would love to be proven wrong, however.

Best Rock Album

“Power Up,” AC/DC
“Capitol Cuts – Live from Studio A,” Black Pumas
“No One Sings Like You Anymore Vol. 1,” Chris Cornell
“Medicine at Midnight,” Foo Fighters
“McCartney III,” Paul McCartney

SHOULD WIN: “Power Up”
WILL WIN: “McCartney III”

See above. While I personally believe that “Power Up” was the best record AC/DC has released in some time (arguably since “The Razor’s Edge”), this is where Foo Fighters would be best considered. “Medicine at Midnight” was a complete record, front to back, and this might be where they will slip in.

Unfortunately, McCartney is there too…

Best Metal Performance

“Genesis,” Deftones
“The Alien,” Dream Theater
“Amazonia,” Gojira
“Pushing the Tides,” Mastodon
“The Triumph of King Freak (A Crypt of Preservation and Superstition),” Rob Zombie

SHOULD WIN: “Amazonia”
WILL WIN: “Genesis”

The category is Best METAL Performance and, as such, the only qualifier in these five songs would be Gojira. Gojira was nominated twice in 2017 for Best Metal Performance and Best Metal Album (not awarded any more), and they are more than deserving of recognition for their work. I would like to see Dream Theater or Mastodon get some respect, too, but they may be too much on the peripheral of some voters for consideration.

This one will probably be a makeup call for Deftones not winning in the Best Rock Performance category. Although I have always considered Deftones more on the alternative edge, Grammy voters are not known for their knowledge of musical genre (remember, these voters once “honored” Jethro Tull over Metallica for Best Hard Rock/Metal Performance). Thus, this is the place where Deftones will probably be receiving their award.

Now, as to the Big Four…

Last year, it was a bit of a surprise. For the first time in 40 years, the Big Four awards – Record of the Year, Song of the Year, Album of the Year and Best New Artist – were all taken home by the same artist, Billie Eilish. The last time that it occurred was in 1981, when Christopher Cross walked away with a truckload of Grammys for his song “Sailing,” and proceeded to be crushed by the MTV steamroller when it debuted in August of that year.

We’re not going to have to wait as long this time for it to happen. Olivia Rodrigo and “Driver’s License” was a MONSTER through the year, and the album it came from, “Sour,” provided a plethora of top hits. You might be able to question Rodrigo on her propensity for “borrowing” sounds from other artists (Taylor Swift, Hayley Williams of Paramore and Courtney Love of Hole is just a small list), but she has been able to concoct a debut CD that blew up the charts.

If you want to look beyond Rodrigo, there are two choices that are very apparent. The collaboration of Lady Gaga and the legendary Tony Bennett on their CD “Love for Sale” would be good candidates in the Record and Album categories as a sentimental “lifetime achievement” statement for Bennett. Meanwhile, Lil’ Nas X might make a run at a trio of awards (Record, Album, and Song of the Year) with “Montero.”

Unfortunately, a couple of the big favorites pre-Grammys are going to be overlooked. Jon Batiste and H.E.R. both received numerous nominations (eleven for Batiste, eight for H.E.R.), but I do not believe that either will crack through in the Big Four categories (they aren’t eligible for Best New Artist). This is unfortunate as both Batiste and H.E.R. have demonstrated their virtuosity as musicians and should be recognized for their outstanding work.

Set your DVR now if you do not plan on watching the 2022 Grammy Awards live – it is Sunday night at 8PM (EDT), airing on CBS. Musical performances lined up include Silk Sonic (Bruno Mars and Anderson.Paak), Batiste, Eilish, H.E.R., Lil’ Nas X, Rodrigo, Chris Stapleton, John Legend, and Carrie Underwood (Foo Fighters were scheduled to be on the bill, but the death of Hawkins – which will have a “tribute segment” during the ceremonies, according to producers – has caused the band to withdraw). It should be a helluva show!

Renegades Radio Podcast – Handicapping the 2020 Rock & Roll Hall of Fame Nominees, Part II

JudasPriest

The Renegades Radio Podcast is back!

Wrapping up our two-part series on the nominees for the 2020 Rock & Roll Hall of Fame, this time around we’re taking a look at the artists who are probably more recognized as “rock” than those that were featured in Part I. These artists most definitely have the driving guitars, guttural bass and thundering drums that are recognized as being “rock and roll,” but that isn’t necessarily a guarantee for entering the Pantheon of Rock in Cleveland!

Whether it is classic rock, hard rock or even metal, these artists have all paid their dues and are worthy of induction. Who will get in? Could this be the time that a couple of long-overlooked rock veterans in Pat Benatar and Judas Priest earn their entry? Or could relative newcomers like Nine Inch Nails or Soundgarden break through the wall? It will be a hard rockin’ hour-plus of music as we review the final eight nominees for the Rock & Roll Hall of Fame on the Renegades Radio Podcast!

@benatargiraldo #MC5 #thinlizzy @soundgarden @nineinchnails @judaspriest @officialmotorhead #hardrock #metal #classicrock

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Renegades Radio Podcast – Celebrating the Birth of MTV, Part Two

MTVVJs2

In Part Two of our look at the birth of Music Television – or MTV – the Renegades Radio Podcast will roll out some of the biggest songs that typified the sound of MTV. From the emergence of women in pop and rock, the breakthrough of rap and hip hop on the scene and the birth of a new hard rock genre – “hair metal” – MTV was instrumental in music…for their first decade, at least.

What took MTV down? Listen in as we give you our views on what eventually killed MTV as we conclude our look at the venerable “music” channel.

@MTV @pat_benatargiraldo @berlinofficialband @nwa @snoopdogg @motleycrue @soundgarden @stpband @soulasylumofficial #missingpersons #publicenemy #beastieboys #kix #dangeroustoys #poison

Renegades Radio Podcast – Remembering Kurt Cobain, 25 Years Later

KurtCobain

In April 1994, Nirvana front man Kurt Cobain was found in his garage in Seattle, dead from a single shotgun blast to the head. It’s been 25 years since his passing and, over that time, Cobain has gone from just the leader of a band to one of the iconic figures of the 90s and of the grunge genre. In this edition of the Renegades Radio Podcast, we’ll look back at Cobain’s life and try to figure out how a bright light burned himself out so quickly.

#kurtcobain #nirvana #kristnovoselic #davegrohl #soundgarden #pearljam #motherlovebone #templeofthedog